MEMOIR NEWSPAPERPEOPLE #NANOWRIMO2021 DAY 5

Newspaperpeople

  1. Wounds

The problem with letting somebody so close to your heart in the way you might at say 22, is that you don’t know what kinds of wounds they might be carrying. You don’t know if they plan to napalm your soul. Because they had seen it. The Napalm.

Don’t choose somebody older than you if you can help it, although the heart always makes its own path doesn’t it?

This is going to get worse the older you get because you might have to carry a body so filled with the wounds that men might have inflicted, or that women might have inflicted you no longer even know what you might be holding.

It’s a heart.

It’s a heart that once was young and bright and skipped or skipped stones.

A heart that rode bicycles that switched to cars later.

All hearts on earth, have paths.

It’s the path of the heart that you will remember most.

Choose the path filled with flowers.

Choose the path with the least tears.

Choose the path that makes you laugh.

“I always drop acid before I make any important decisions,“ he says, bouncing along the beach at Thousand Steps. Just below Red Rose Way.

That was the day I told him.

“Now what,” he said. “I’ll pay for it.”

A girl, sitting in a beige carpeted empty apartment will have her first lesson. It’s the most painful lesson she will ever learn.

She will have nowhere to turn.

It happened the week he had off.

“We can spend the whole week together,” he said. “She’s going to be in Washington, on business.”

The he had the nerve to treat you like his wife, cooking in your sandy little kitchen. What was it he made then?

Brunswick Stew.

You looked out to sea, and the poems began to form, as poems always form. One word after another. You never imagined you would be like Hemingway one day, looking back at hills like white elephants, in the snow capped frost of winter.

He destroyed you that year.

He thought he could take Christmas, but he didn’t.

Maybe he thought you’d just off yourself.

He must have been used to offing people.

The struggle to breathe overtakes you in the doctor’s office out at Student Health. They offer Xanax and teach you how to breathe into a brown paper bag, if the panic attacks start in again.

And the postcards kept coming, daily, and there wasn’t going to be anywhere you could turn, and you realize that even now, some girl is in your position trapped butterfly-like against a wall, with a guy who was just using her as if she was a cotton cloud.

It’s the magic of other hearts that will hold you.

Strangers at work, all smiles, walnut desks, flirtatious males. You weave in and out of a landscape made of words, letters strung together on chains, paper chains, presses rolling, clanks and thumps.

We were the biggest Romantics in the world, once.

We were the ones who didn’t have to go to war at nineteen.

You think that women will be just like you, don’t you?

We aren’t.

“Take this fucking thing out,” he said, pulling the diaphragm from inside you. “It’s in my way.”

“Don’t” I said, hands trying to fend off what he was doing.

“I want to plant my seed inside you,” he said.

Over and over all that week.

The week he played house with you in your purple kimono, all curly and pretty and damp and he told you he didn’t love his wife anymore.

Maybe you should have taken it as a warning that day at LACMA, where he showed you
Back Seat Dodge.

Years later your breath engulfs you.

You surface, no longer undersea.

The tail of a mermaid has grown, you carry a knife. Your knife is made of letters, thousands. and thousands of letters. Your power? They always have one for you, when you turn your eyes on them.

Then you will smile.

You can use the words to tell him how much you hated him.

Margaux, late 60’s the dayside proofreader. She slips sexily on cork wedgies through the room and you are only 22 when you start as the night proofreader. The other girl quit, and suddenly you are making $10.00 an hour in the Composing Room. It happened so fast that your salary doubled, because you were in a Union. They called them associations in those years. The men you had known as friends out in the tear stained lobby swept you into their world. There were other girls in there, and there were women upstairs who were reporters.

Suddenly it was fun to have all the art tools in your hands, again. You could see the men wearing them. Pica poles and rollers and exacto knives, triangles. It was going to be graphic art, and you had studied that. Font after font. You learned the names of those.

“Come on in here, Andreean,” Gabe says. Margaux will show you what you need to know. On your desk, her desk, there are dictionaries, there are books covering every word you will ever need to know, and there is the AP Stylebook. That’s how important it all was once. There are baskets on your desk. Margaux shows you the marks, and you learn these by heart. Margaux dresses like Flashdance, a tiny little bird, with wicked dancing eyes. She misses nothing in the room full of men. It’s fun for her, you notice.

This is where you will learn not to ever make a mistake.

Because it’s too important.

“Good catch,” the reporters say.

Especially when you, just a college girl, question phrases.
Gabe is too important to ever let down.

You loved him as a boss, and you loved Harold. your other boss.

Gabe with a smile like the very best gelato.

Harold and his spiked Christmas punchbowls.

The typists cluck in their corner like hens, pecking the keys. Those are the women, and they are set into roles, most are mothers except one or two strays. Most everyone is married, except for one or two, or you. The difference is that only one of them has gone to college. All of them had gone immediately to work after High School, like you had, because that was all there was going to be for you, right?

Marriage, like a cotton cloud.

We all knew it.

We all wanted it, but just not quite yet.

The romantics were much younger in spirit than most.

That most of us might end up as DINKS was something we did not know yet.

It wasn’t what we had in mind, actually.

We wanted to fall in love. We wanted children.

There were millions of us.

Millions upon millions upon millions and millions.

Millions of our hearts shattered into glass splinters after 1973.

They used that as a back up for their mistakes. All the men who had no intention of being fathers. Men who used women just to get laid. That was that.

That’s all they wanted.

American girls.

Millions and millions of American girls, hearts felled.

Hearts, the petalled hearts, falling, tears running red, rivers of red, streams of red, oceans of red.

To men we were just a joke,

Just a series of little dishrags.

Sharon was a farm girl, she dressed in chinos just like men. Her eyes were slits, hardened slits from the Valley. She had horses, there, maybe she still lived at home, for all I knew. The women were mean. Not the ones in Editorial, the women who worked int he bowels of the building, down with all the dirty, greasy, men. They took it out on each other, and I watched this with horror, coming from Fashion as I had.

I wonder what they must have thought of me?

Thierry Mugler Jellies.

Kenzo oversized shapeless forms, cueing zen.

Sex wasn’t going to be part of the game with me.

She hated me.

“College girl,” she sneered.

The first night I sat down to proofread.

The first night I made my marks.

The first night I consulted the AP Stylebook.

In the basket, every story in the world passed through.

You will never know the responsibility that all of us had.

My job was to read everything in the baskets, and then, after the typists had typeset the story, to read it again, so that the story was perfect. You did this by compare and contrast.

Line by line, letter by letter.

The terror of making a mistake.

The terror of letting Harold and Gabe down.

The terror of seeing that in print the following day, at the place that I called home, with all the people I worked next to.

Soon he wasn’t going to be able to call me anymore.

Still the postcards came.

“There will never be a last postcard.”

The way he did that one, was write one word on each image, so they came like this:

THERE

WILL

NEVER

BE

A

LAST

POSTCARD.

I never want you to be a girl that has to stand on her own two feet. I want you to find a really sweet boyfriend that is your age.

I want you to choose that shy boy, the one that has poems he knows how to write for you. I want you to choose that pimple covered boy in High School who is going to take you to the prom. I want you to be wearing his corsage. I want you to fumble around making out, but you won’t go all the way unless you have birth control. I want you to know that he loves you. I want you to have a baby.

I want to see you dancing on a cotton cloud, under the moon in all her sweeping starlit curves. When he kisses you, I want to see you surrounded by stardust. I want to see you in the ballgowns, the pretty dresses, with the pimple-faced poet beside you. The one who can hardly speak because he is so taken with everything about you.

Don’t let him go.

Newspaperpeople by Adrienne Wilson copyright November 5th, 2021 – all rights reserved NaNoWriMo 2021

MEMOIR #Newspaperpeople DAY 4 NANOWRIMO 2021

“The Kiss” by the artist Gustav Klimt – this is the cover of my writing journal for this years Nanowrimo – he was one of the many painters I loved as a young art student, and Art History student. I had it on my wall, when I was 22.

Newspaperpeople

  1. Mistakes

It’s only through the hardest lessons of life that you can be shaped and formed into what you will become. Nobody knows that at 22. It’s all so fresh and fine and full and you are going to go to college because it will be the best time of your life. It’s something you can’t miss, and you must choose the right school. While I am at it, choose the Major you really love, because chances are, that one won’t be the job you get. If you declare the wrong major for you it will be an uphill battle to claim something like Studio Art, at work, especially if you work for a newspaper.

I was a girl who sat in an iron cage in a lobby of a building where things hummed at night because in other parts of the building people were getting the paper out. I think I worked something like 5 – 9 in those times, just part time, but I loved it there so much, after what Mr. Sykes and Mr. Plet had done for me? In retrospect, I should have gone to them with the problem I was having, as they would have known what to do, because he kept calling. Every night. Every day the postcards arrived at Red Rose Way, black and whites that jarred the memory of everywhere we had been in Los Angeles on those shoots we did. Behind my own lens I photographed him. It seemed a way of keeping him at bay, behind my lens. But the arrival every day of those made my heart glassine, like the strips we kept negatives in those years.

He did this to me, and I never want this to happen to you, because you will never get over it. Not ever.
That’s how I met Alan and Harold.

I think they heard me crying in that little iron cage, because I did.

Nightly.

After he hung up.

My first relationship had ended for reasons that were different.

Getting out of this new one was going to be one of the hardest things I ever had to do, to break that bond. To this day I cannot stand to look at pictures of myself, because of what he did. Besides, as artists we like self-portraits best anyway.

How can I explain the minefield that men were going to be?

That’s what it was.

They rule the world, they always have and they always will.

You will meet good ones and bad ones.

You will meet cheap ones.

You will meet violent ones.

You will meet poetic types.

You will meet handsome ones.

You will meet ugly ones.

You will meet generous ones.

You will meet sexy ones.

You will meet shy ones.

You will feel sorry for some of them.
You will learn that you are a temple and it’s very holy.

You will meet men who have no idea what making love actually is.

You will meet men who can’t last.

You will meet men who can’t get one anymore.

You will meet a whole generation of men who don’t actually want to be fathers.

Perhaps that is the saddest part of this tale.

I only met one with a soul so diseased that sometimes he looked like Satan to me.

I only met pure evil once.

I met some very evil men at that newspaper, but not in the earliest years, and not Alan and not Harold and not Jack and not Eddie and not any of the men in the Pressroom, or any of the Reporters.

Harold’s smile. His wit. His charm.

Alan’s cockiness, his English wit.

Those two must have thought to themselves, how come that girl is crying?

I can’t remember if I told them or not.

Every night it was as if they came to check on me like angels, like Mr. Plet and Mr. Sykes had been. In my darkest moments in that cage, when I did not know what to do, and Winter Quarter 1981 had started, and I, who had been the A student was suddenly getting D’s and F’s on everything, and when I would drive to school, I would think of crashing my card out on Ward Memorial just so I could end it, those two saved me. Just like Henry had.

Alan had the prettiest girlfriend. She was petite and blond and she made the best little Christmas cookies ever. They were mini cheesecakes made with vanilla wafers in the bottom of muffin cups. They had cherries on top. As pretty and delicate as she was. We had worked together in accounting, with Rosie.

Those were the days we were so very young, and we must have both been so very much in love. I know we were, but maybe we were too young to discuss our personal lives yet. That comes later, for women.

I didn’t know how to stop him.

It’s as if he was a secret.

I couldn’t talk to anyone about him, and that was my first mistake.

The panic attacks began with the postcards, and I had no idea what they were. I would get this terrible feeling as I was driving, kind of pins and needles in a way, and it would take over. I wasn’t breathing. The hyperventilation would start in as I was driving to class.

I was so frightened by these I had no idea what was going on.

Do you know what that bastard did to me?

He took away all my sense of control.

He had me pinned to a wall, in a cage I could not escape. The phone kept ringing and ringing and ringing and ringing and I had to answer it, because that was my job.

The postcards kept coming to Red Rose Way like affirmations of love.

It wasn’t love.

It was never love.

To begin to unpack my hatred of him for what he did to me is a secret I have had to hold for forty years.

He was responsible for my having the panic attacks.

There are two types of men in this world.

Good ones, and evil ones.

They will all try to bed you if you are beautiful.
So, I decided to become like them.

I decided I would bed them.

I needed to erase him.

It’s a very long process when you are going to erase a man.

Especially one you were madly in love with.

Alan and Harold would come out to check on me, and shoot the breeze with jokes, and I loved them. I sat in that cage and pulled the biggest fanciest Selectric typewriter I could find, (these were all on rolling tables, then, everywhere in the building) because the building was built of words, thousands of words and thousands of fingers typing those words) over to my little cage and began to write my first papers for Arts & Letters, which was what I had declared.

Every day, I read the paper cover to cover.

It had everything in it.

It had stories.

It had the town in its palm, and I belonged to that.

I belonged to something so much bigger than myself. I had made new friends there.

He was going to recede.

I had my little electric typewriter at home. I was taking poetry.

I was learning to compose lines.

The phone never rang at night unless it had been raining and people were full of rage that they had a soggy paper. Otherwise it was him, standing on some cold corner in the city of Lost Angels in a filthy phone booth, dialing.

And I was typing.

I was a girl that lived on a street called Red Rose Way taking poetry from Edgar Bowers who lived in one of the little houses facing the sea at Miramar Beach.

There weren’t too many of us in class.

The girl sitting next to me, I shall never forget the first lines of something she did, a poem on marriage.

This is how she began: “It waited for me like a cotton cloud”

The poem was about a wedding cake, and as I recall she didn’t want that cake.

The again, all of us were only 22, and what did we exactly know about life at that age.

My bed was about to become a cotton cloud for the bodies of the men who wanted to bed me. I did favors for two of them. One a 19 year old who begged me to show him how. He was heading off to medical school that fall and he told me he wanted to know how so he could get a girlfriend. We worked together, there. He wrote me a love letter. I probably still have it around here somewhere, in all these pages and papers and boxes that say “a life was lived, here” that I just happen to have.

“Can I carry your books for you?” begged the TA who tried.

He liked that pretty flowery dress I designed.

He actually used to follow me, and pop up out of thin air.

You think that you know the lives of women if you are a man.

You don’t.

You started with your mother, and she was your template. Then, everyone you ever bedded. Maybe it was just one.

My heart locked itself behind doors made of corten steel.

After what he did to me.

When the sculptor ran after me down the street I turned to look into that rugged face. There was something about his weldings and colors and his pseudo Motherwells that I liked. I had Diebenkorn up on my wall, right next to Klimt’s “The Kiss.”

My generation. The generation who were the most Romantic people in the world, had their hearts broken.

Nearly all of us have had this.

Lucky, the few who escaped alive.

I never want you to be as dumb as I was at 22.

If you ever meet a person who is making you have panic attacks?

Get out.

No matter what it takes.

Copyright November 4th, 2021 by Adrienne Wilson – all rights reserved

MEMOIR #Newspaperpeople DAY THREE #NaNoWriMo 2021

Gulls, Harbor by Adrienne Wilson

Newspaperpeople

  1. Cockroaches (cont.)

He only wanted one thing. To come up here and fuck me. So, that is what Jim wanted too, and thing is, that is how it was in the late 70’s and 80’s. An entire group of people in my generation got shortchanged on love. I think we all started as the most Romantic generation that ever lived. We were. You have to watch out for your heart, because believe me, you will fall in love.

Not having a father to guide me, or my best friend, or my friend Jim – this happened to millions of us, in the years our parents split up. For girls like that? You have no idea what is going to come next.

That was probably what made me into a man. I had to be as strong as one of them. I decided to act just like they did, which is the total opposite of being a Cinderella. For one thing? I was going to earn my own way, and I had a job. Although, on my job, I would find out later that some women used sex to get ahead. With their clothing. The thing is, I read Vogue, just like my mother did, by the time I was 22.

My clothes became my armor.

Our mothers were on The Pill, starting in the 1960’s.

We had options for birth control, because doctors prescribed them. You could have an IUD, The Pill, or you could choose a Diaphragm. That is what I chose. Student Health taught me that. Because before Student Health, I depended on men to know everything about sex. I also knew they could wear rubbers. I had only been with two men at 21.

“Take that thing out,” he said. “I don’t like the way it feels.”

“I don’t want to wear this thing,” he said. “I can’t feel you.”

If you knew how much I hate him as I write these words, you would not imagine me capable of that much hate. Nobody that knows me, anyway.

I’m not going to hate myself, or the millions of other women who knew a guy like this, because there are millions of guys like that. But not all guys are like that. We are capable of falling in love so hard when we do? That we listen to everything he says, and we do what he says, and so I do not want you to be a really dumb 22 year old. Because there are going to be lots of chances for you to fall in love with the kind of guy that really will love you. He’s out there.

“Stand on your own two feet,” he said.

Looking around at the cockroach filled apartment and my cat Alladin, trying to get to his can, with them streaming from the walls as they did? As I drove downtown yesterday to vote, I was on the street where that place is. Right downtown. Still there.

Thus began the period, when he drove up.

He had no intention of giving me up. None.

His camera was like a gun, a barrage of bullets every time he turned it on me.

“I just want to be with you,” he said.

He had a can of cockroach spray in his hands, when he arrived. I don’t care where we sleep, he said. I just want to be with you, be with you be with you be with you just throw down a pile of coats and we can do it. He was 36 to my 22. He was married, and he was the biggest liar I have ever had to live through. Ever, Ever. Ever. Ever.

He threw a bunch of coats down on the floor.

He started up with that kiss he had, and suddenly, I was back in his arms all over again.

But it was Henry who would save me. My boss at work. He was slight, and Hispanic, and he moved through the office with a dancer’s grace and power. Of course, at work, we weren’t exactly discussing our relationships at that time. Just a pool of office girls, working, sorting through piles and piles of paperwork, Pink pages like pink ruffles, pink pages like pink tears. We were in a man’s world and we knew it. Navigating those shoals? This will take you a lifetime of experience.

Henry was so kind to me. Because he was something like head of all the advertising billing, and the people who owned that slum had a store on State Street, and I told him I had spent my last dime on the first and last and a deposit, that they weren’t going to refund, he simply made one phone call. “You’ll never advertise with us again,” he must have said. Something like that. He was like the dancers at Fiesta, the Flamenco dancers, when he moved. We saw them every year in the Plaza.

“What am I going to do Henry?”

“We’ll get your money back, “ he said. “You need to call Roommate Referrals up across from Danica House. They are in that big Craftsman and we run their ads.”

That money came back so fast my head spun. In fact it was delivered in the form of a cashier’s check to my desk at work.

Men can be really good guys. Henry was. That was the power of the place. Men with power had begun it, and men with power worked there, and in the beginning they were good men. They were some of the greatest men I have ever met in my whole life.

He had pushed me down onto the filthy floor of a place filled with cockroaches and called that “making love.”

I’m letting you know, because, I don’t want that to ever happen to you ever. Not ever.

Two hundred billion roses will not make up for what he did to me.

That is how I came to live on Red Rose Way in a beachy apartment with a girl who was older than me. Maybe she was 31. Together we could rent it. She was blonde and petite and she had just broken up with a guy in the harbor. She moved in with one suitcase, full of clothes that were like costumes. She was a legal secretary. Neither of us had beds.

In fact, neither of us had anything to furnish that place with. I had books, my books, and a blender, and a wooden spoon, and my record player so we had music. I got that at Creative Stereo. Morning Glory Music is where we all went to buy records. I bought a first measuring cup at Thrifty’s, and some towels for the bathroom. I had lots of clothes, though. I loved clothes. With my paycheck from the paper, I was able to pay the rent and fill the place with food. I could feed Alladin. When my first student aid came, in the form of a small grant and a largeish student loan, but not that large because, really at the end of UCSB, I was only about $10,000 in debt. Because of my job I could afford to eat in the UCEN which had really great food, and I was going to be walking under TM Storke’s massive bell tower, very soon.

My roommate was like this chameleon. All she did was go on dates with guys and she had a costume change for every single one of them. I was full of hope in those years, about what was going to lie ahead for me. UCSB is huge now, like a gigantic city. Back then it was huge as well, so giant that to get around people had to have bikes. Or run to get to class.

Once he said, “I want to go to class with you,” and he drove up and sat in the lecture hall, as if he were a student again. Like me.

It was going to be impossible to make the postcards stop. They came every single day to Red Rose Way, and for years I would not drive down that street here in town, because of what happened. What happened is one of the most painful secrets of my life. As you get older you realize that everyone has painful things happen to them. And this is what you will learn. Other people are your angels, because good always wins. It always does. Henry was one of those angels, for me.

In my earliest years at the paper I was surrounded by nothing but gentlemen, and all of them never trespassed any boundaries. They were kind, like Gabe, who would eventually be my boss. But first I had to face Mr. Plat and Mr. Sykes and tell them I was going to have to quit because it was Winter Quarter and I had to go to school. On the day I did that, they said, “We can’t lose you.” It was that simple. “I think we have the perfect position for you they said. “Night Switchboard Operator.”

“You’re going to be able to go to school, that way,” they said.

And that is how I went from being an adding machine style girl, to a telephone answering style girl, almost overnight, it seemed.

I was a girl who lived on Red Rose Way, and I sat in an iron cage, in a deserted lobby four hours a day.

I was a girl who was going to go to UCSB.

I couldn’t ask my mother or my father for help.

I couldn’t ask my grandparents.

I had to learn to stand on my own two feet.

I think the first thing I bought for the place was a can of paint at Standard Brands. It was sandy beige, and it was going to make that kitchen look like a beach. I bought some grass mats that looked beachy and covered over the flocked 60’s kitchen wallpaper by taking that up. Then I painted all those empty cabinets golden beige, just like the sand I loved down at Thousand Steps. I think I got a couple of pans at Thrifty too, or I went junking for some, at the Alpha. In the living room I had a pine mirror, my mother gave me, and a marble topped sewing machine base. I didn’t have much time to sew things anymore, not with school starting. My roommate never bought a thing for that apartment, isn’t that funny? Most of the time I was eating out just like my mother had brought me up in restaurants here in town, so lots of the food, was tossed.

I’ll never forget my roommate digging through the trash, for things, telling me, “This is still good.”

No it wasn’t.

We were white wine girls at 22.

I was Mouton Cadet.

copyright Adrienne Wilson, November 3, 2021 – all rights reserved

poem, old from 2016 untitled

#untitled poem

Hmmm – wrote this in 2016

So doing all this preptober for nano and the difficulty of what I am about to write, I like this one.

So I am going to read it to see what it sounds like.

#untitled

2016, 2021

I wish no one had ever touched me except you

wish that I could take back the places that hurt, heart shreds

a tattered garden we both inhabited

wish that only the stellar blue pools of your eyes were all I’d known

or the calm slow handed holding

sometimes when I look I see you fly away

remote black wings thrashing against the cage

bars of notes fly out, remote, screeching, drunken, screams

we both run our hands over old stone walls

these are separate kingdoms

I peer into you, folding back a thousand veils

wondering how your sweater smells

I can’t see the bitter gall, nor bile

I see only the wetted ferns

moss on rocks after rain, a steaming coming off the lichens

you move around in me like a river rushes

breaks course, screams over the rocks

a watercourse of the heart’s complaints

I see us now as trees

even though they won’t let me speak anymore

even though they shut my voice

against the fascist boot of centuries

I’ll lie down in the water of your eyes

still blue pools of quiet

I’ll say we were fourteen once,

and none of the rest of this ever happened

I’ll say we never knew pain

I’ll watch your footsteps in the snow

knowing that our hearts held hands

~

PICT0732.JPG
PICT0732.JPG

Memoir #Newspaperpeople #preptober #nanoWrimo #poetry readings

So I am looking at this memoir, as a small slice of time, and inciting incident. I was really a stupid girl in 1980. I was in college at Santa Monica College as an Art Student. My art teacher wanted me for a muse, and then he got me. There is only one problem. It was one of the #MeToo horror stories. For what he did. So I was looking at a link yesterday, and since I am so many years away from this experience, now, and can write this book – the inciting incident is used to explain how one survives a breakup.

At UCSB Edgar Bowers was my poetry teacher. I wrote a lot of poetry around this relationship, and I don’t think I still have many of those, especially one that was my favorite called “Hyacinth Gaze” — but, they were all poems because I was deeply in love, at 22. I’ll be writing the novel live, into WP. So, I am going to use the Spotify Anchor deal to record! As in like yay and thank you to WordPress and Spotify. Come to think if it, there are many poems in my old blog Valentine Bonnaire I can record along with lots of Depth and Ecopsychology things I wrote over there, but anyway, two more poems from the time I was in a terrible relationship in my twenties. The kind that scars your heart very deeply. Sears the soul actually. So that link is here: https://valentinebonnaire.com/2015/05/10/pieces-of-silver/ for the poems I will read today.

The three poems I could find are here: https://valentinebonnaire.com/2016/09/05/trois-poemes-dune-rose-shattered-1981-where-i-laid-me-down-to-sleep-for-novel/

The last novel I wrote in Nano was 2013, and also relates to this time.

So I wrote these poems, looking out to sea.

#1

Inside this sargasso sea of strangers

a couple pairs

off a couple the eyes tend to meet

then lower

these minds met one unlocking the other

slowly letting the facts sink in

one taking the lead one following

one decision was reached when we

sped down freeways laughing

sped around looking for any destination

I fought the pull as long as I could

other people’s histories are so charming

this kind of curiosity tends to kill

maybe it was your BMW your hand

shifting gracefully in time to

blasting

blast me apart yes it was the way you

drove and drove me to this

I guess I knew that you would

make love to me the way you drove cleanly

slide inside your kind of knife

leaves only invisible scars

these kinds of wounds heal by themselves

in time

or maybe it was your camera a dangling

appendage most powerful its own kind

of magic that must be it I thought you were

some kind of well-traveled magician

well versed in the arts are you just like me

in that you always get what you want no

matter what the cost?  I love the fact that

only certain people meet only certain people sleep

together out of need  why out of all the other

people in the world certain people slip into each others

or maybe it was San Francisco never mind the

east coast that always held the greatest fascination

beatnik dreams never mind if you were

too young at that point it’s really fun to absorb

someone else

inner secrets inner core the inside of a

chambered mind never mind the heart because

osmosis that’s it everyone wants that kind of

total immersion that kind of meshing that click of

gears the hum of the motor telling you you’re

alive again I don’t blame you for that

just when you drive in the spikes of truths

those kind of thorns do it slowly and savor it

because I will be if we get lucky

it’s too bad we can’t turn it around and just go back

to LA freeways when I didn’t know you so well yet

just to the point when I began to want to want you

a little for the thrill of it

how much are you going to cost me in the long run

now that we’ve paid the price of admission?

~

*so, that was written when I had moved north to get away.

And:

#3

“come winter I will teach you how to prune the roses”

will it be that way before harsh weather

when the frost sets in before the fog and the city

smiles for christmas

coming

will it be that we hold hands and laugh and decorate

another bed in a different space across the pages

of our lives & Times

will it be that you will still be laughing

striding in the sun grey with the rain

I’ll bring the white birds out

I’ll bring the box with lights, the symbols

maybe we might wish together once again

amid the wrappings and unwrappings

by the lights of other candles

will it be that we still care for tastes of tongues

and softened lights and softer words

i’ll go out into the garden planting

all kinds of bulbs they’re going to flourish

under my hands they will in every shade of rose

and when the skies grow deeper black before the morning

will it be that way

will it be that you are there to chase away the cold

and colder silence of alone-ness

will it be that i will find you watching

my movements through teh rooms with sadness

will it be that you’ll be sitting

obscure (a little anyway) in light

outlined in silhouette against the glass of

other windows

ringing in another year

~

*this poem was written in January of 1981.

That year, I had my first Christmas tree in college.  With him.

So as a writer, when you look back at older work, I mean. That’s right where you were. My journals tell the tale. Call me Ishmael.

One of my poems, #NewspaperPeople #Nanowrimo2021 #Memoir

I posted these poems over at my old Blog, Valentine Bonnaire – these were written on Red Rose Way in 1981, by me as a very young college student at UCSB https://valentinebonnaire.com/2016/09/05/trois-poemes-dune-rose-shattered-1981-where-i-laid-me-down-to-sleep-for-novel/

So now I am going to read one of them and turn it into a podcast.

During the month of November I will be reading the others as well.

Thanks for listening,

much love from

Adrienne

#2

this is the hardest poem I ever had to write

rosa1:july

“you used to give me roses”

you used to give me roses

one perfect rose

like a perfect life

and I looking at that perfect life

I had to tear it apart

expose the center

past each perfect veined petal

past the subtle gradation of

softest color

peach rose white cream magenta scarlet lavendar

or the deepest red which fades to black

when I in my foolishness tried preserving

the moment and the scent

other times you brought a handful

claiming, “these are the last ones in my garden”

but you’ve always had a year round supply

how can I make you cry?

should I tell you I was a rose

when that doctor came in with the smile on his lips

I want to show you the center

of a perfect life the center of the rose

if you’ll let me ramble

past all these tangled petals dropping

like bombs on our conversations

each petal must be a moment

no one ever played he loves me, he loves me not

with a rose except me

you gave me roses

and you gave me one perfect rose once

like a perfect life

and I looking at that perfect life

I had to tear it apart

expose the center

expose my own heart in the process

that rosebud & my heart

so much the same, so much the same in fact

that when he

came into that room with that smile on his lips

and pulled apart the petals to find other petals

and more petals and more

past veined velvet

past each subtle gradation of

softest color

peach rose white cream magenta scarlet lavender

or the deepest red which fades to black

when I in my foolishness tried preserving

my own heart

and all the petals

that I’ve saved all the roses

can’t ever replace that one perfect rose I held for a moment

inside me.

*AUTHOR NOTE

THE INCITING INCIDENT IN THE NOVEL IS ABOUT THIS. SO, 1981 TO 2021

It has taken me this long to be able to write it in first, and today to read what I wrote 40 years ago out loud.

Writing a new novel #Nanowrimo2021 #Newspaperpeople #preptober

So, premise for the novel is how we survive things. Like that first love that hurt you so much you thought you could never recuperate. For me that was an Art Teacher, and like all dumb girls who are the Muse to a much older married photography teacher, who lies to her, in order to have an affair he needs? This novel is FOR YOU.

Go ahead if you want and befriend me in Facebook if you want. So what I am writing is Second Wave Feminism circa post Roe v Wade years when I was a teen. College = 1979. I had already had a huge big job in Fashion, and the descision to go to college came because I worked at Henshey’s in Santa Monica, as an Assistant Buyer in the Junior Department. All the other girls my age were at UCLA. So, I dropped that Italian briefcase, and those fabulous leather boots, and I got a backpack.

He wasn’t my first relationship. I had had one that lasted three years before.

But he was the one that almost caused me to commit suicide.

So, it is so many moons ago now, I can write it. And in first.

This is for all the kids in their 20’s who feel really sad and lost right now.

So I always listen to music when I write. Writing the novel in First is like stripping off all your skin, it is such a close POV. Funny though, I can laugh.

The novel covers a twenty year period in Santa Barbara.

It’s University years, and getting the BA. It’s growing up. It’s getting a first apartment.

It’s the kind of love affairs we had in the years that were the turbulent 20’s.

Much love from Adrienne,

who is Adrienne Wilson in Nano. I entered Nano in 2009, and wrote Heart of Clouds a children’s book there, and I won! It was huge to me, back then. I was already a published writer, for my short stories that were Literary Erotica, at Cleansheets and ERWA, but to do a novel? So, here we go in the Preptober part!

I am so raring to go, the Muse is with me.

xxoo!

SCREENPLAY Heart of Clouds – Devlin Mirror scene/adaptation

HEART OF CLOUDS

by Adrienne D. Wilson

copyright 2009 by Adrienne D. Wilson, all rights reserved

Screenplay by Adrienne D. Wilson

copyright 2020 WordPress.com all rights reserved

for Walter Halsey Davis

of the Santa Barbara Writers Conference

INT. BATHROOM Mirror, DEVLIN in Golden Light, AFTERNOON

Devlin has carried Teenie’s note home in his pocket. He opens it to find her handwritten note, a tiny heart surrounded with clouds. The words, “Who are you?” are written in a girlish hand. Devlin

Heart of Clouds – do you believe in magic?

Takes you back, to a time when we were all so little, and we heard this. The actors that I sent the book to?

I meant it.

I meant every word I said. So, I have a reason for wanting to see this film realized, not just because to me those are some of the biggest stars on earth, but because of WHO they are as people.

I am making an intervention for the group that doesn’t know how to do things like Devlin and Teenie do. After the film, they will.

I wish you could have met my Dad or my Uncle, when I was little.

All day yesterday I listened to the music I was dancing around to at age ten or so. You might have been too, except some of you were a bit older than me, at that time. I just saw Swing Shift for the first time, yesterday, but Laugh-In, well my mom never missed it. Never. What a time that was. I guess I just want to say to you what beautiful people you are, okay, coffee and back to the page. Can’t wait to see what Viggo has done.

Jeff, Goldie, Robert, Viggo I meant it.

I know John Orland over in Facebook, and actually I bet you do too.

Losing Walter Halsey Davis, well. I know you feel this way, as well, when it is people you worked with.

My mother had just passed in the early years I met him at the Conference, and he showed us “Do You Remember Love” – yeah, I was the one in the audience who wept. I did yesterday again at the close of Swing Shift.

It’s all of you, and your performances.

It’s who you are, in this lifetime.

xxoo!

from Adrienne