Heart of Clouds, Summerland magic

The unexpected magic yesterday of being down on Summerland beach. The last time I was there was at this time last year, after Walter Davis, my screenwriting teacher at the SB Writers Conference passed. Two writers who were important to me passed last year, he and Kate Braverman.

The last thing Walter ever said to me, was, “Let’s go to France.”

I spent a great deal of time last year at the end of summer on the beach there, with the driftwood structures, as those are a main theme in the book I have written for children. Well guess what? I met the artist on those, and is there ever a fantastic one there now.

Funny how life works, the passage of one year. The Conference wasn’t on this year because of the Covid.

I feel better in Summerland.

So Odin and I went, after a whole year almost, at Sunset. Today I am taking the book down to them, to see what they think of the themes. It is great to meet people like that, in such a sacred, sacred place to me. Most of my location shots last year were down in that area all the way to Loon point.

It was written to go to film and in scenes. I may just write that right here in WordPress, like I did the play before the Conference last year. I took a short story and simply converted it over into a play. From Walter I learned to write character studies, as that is what he did, and my book was an answer piece to his film “Do You Remember Love.”

Well, I know those guys I met on the beach are going to love it, because it is the local childhood I wrote that exists here. My heart went into that book, and all my training as a therapist, as well. The thing is Walter didn’t even care. Well? I may put that book for sale right here in WordPress I am so angry that he couldn’t even bother to get back to me. My opinion of Hollywood isn’t that great. Anyway, my best year at the Conference was a few years ago when I got to meet Janet Fitch who studied with Kate Braverman. Her “White Oleander” went to film and is one of the classics.

There is more to life than crochet, perhaps. Or anger. Seeing that driftwood structure made my day yesterday, it really did. I shot the cover for the book right off the beach there.

I said, “You can design Devlin’s hut. My god look what you have built here.”

I asked him if he did the ones last year and he had.

How incredible is that?

xxoo!

On the crochet front I am working on something called the Fruit Garden CAL that reminds me of Brideshead Revisited, a series I loved very much once, back in college years. The character of Sebastian and his Teddy. I love Waugh and other English writers. Always have. CS Lewis came to me in a dream that last few pages of my book.

All the pix of what I saw on the beach last year are over in FB and I’m not. I’m giving it a wide berth. The other day an old friend called and said the rumor on FB was that I was dead. Not yet.

Here is some crochet. I have not done things like this since I was 13 with my best friend, not kidding. I had to work in corporate hell, and maybe the next book will be about the newspaper years and what it was like for women on the job. Today is going to be fun.

If this isn’t the most gorgeous design what is?

Janie Crow’s Fruit Garden CAL in Ravelry and Youtube

I didn’t have one of her kits, with her colors, drat.

I am going to finish this, yep.

I plan to.

Hope all of you are well. This virus thing is so hard on us. To be at the empty beach yesterday was fabulous, and Odin my dog loves that beach.

Today, again.

Seeing people who will love the book.

Vanilla Suede PLAY SBWC 2019

So more backstory on character interiority MARINA and TRENT before we move into DANCE SCENE.

For MARINA

(wise, wounded by love)

ARCHETYPE = The Wounded Feminine

(wary)

For character interiority MARINA listen here

TRENT

Trent has been very wounded by women.  He is willing to take another chance but his heart is set up for disappointment.  Nevertheless – he remains the STRONGER of the two.  Willing to take the lead and take a chance.

For TRENT many of his girlfriends did not want him to father their children.  In his marriage, his ex-wife cheated on him, under his nose, and so he was humiliated.

ARCHETYPE = The Wounded Masculine

Character Interiority TRENT listen here

Character interiority for BOTH listen here

 

PLAY VANILLA SUEDE

ACT ONE,  SCENE TWO

“Moonlight Serenade”

SETTING:  TRENT APARTMENT

Look:  EMPTY STAGE, only a table with a portable record player.  There is a opened wine bottle and two empty glasses.  Trent has invited MARINA over before they are both about to go to Halloween Party together, for a drink.  This will be liquid courage for Trent.  He has invited her in friendship.

AT RISE:

TRENT paces around his empty apartment nervously awaiting MARINA’S arrival.  This is shown in PANTOMIME perhaps with “Sugar Mountain” playing. For instance he could MIME himself as brushing his hair, he keeps checking his looks in the mirror.  Both TRENT and MARINA live in a small town, and so some of the MOURNERS will also be at the PARTY they plan to go to.  They have been friends in the way that they have known each other across many years and even in their marriages at parties and social events.  They had not seen each other in many years, until the funeral.

I love the imagery in this one for TRENT inner state.

WE HEAR A KNOCK AT THE DOOR (sound of knocking)

MARINA

Trent I’m here

TRENT

Just a second, I’ll be right there Marina

MARINA

(entering from stage left)

TRENT

(warmly)

You look beautiful

MARINA

(smiles softly, turning to show him a tilt of her new shoes)

TRENT

(smiling)

Let’s have a glass of wine, shall we?

MARINA

(glances around apartment and heads over to bookshelf – this can be pantomime and she says)

I can’t believe you have read e.e. cummings, he is one of my favorites

TRENT

I have a favorite one

MARINA

(smiles softly at Trent)

So do I

TRENT

Another glass?

MARINA

(nods, smiling, hands her glass to him so he can refill it)

TRENT

(Pantomimes looking through records til he finds it)

Moonlight Serenade have you ever heard that?

MARINA

I don’t think I have

TRENT

I’ve got it around here somewhere

MARINA

(to opening of the song)

It’s beautiful

TRENT

Want to dance?

MARINA

I’m not sure I know how

TRENT

You just relax and let me lead

MARINA

What if I trip you?

TRENT

You won’t

TRENT

(very gently and softly, with great male confidence, places her hands into a position for a slow dance to Moonlight Serenade, they begin to move every slowly)

My hand goes here and yours goes there, now we’ll just sway a little in place before we start moving

MARINA

(slowly starting to relax, in a slow whisper)

That’s nice, like this

TRENT

(nodding softly against her)

Your hair smells so wonderful

MARINA

Does it?

TRENT

You’ve always smelled like that

MARINA

I’m afraid

TRENT

Of what?

MARINA

The past and the future

TRENT

Don’t be.

MARINA

I can’t take any more death

TRENT

This is the worst decade isn’t it?

MARINA

I think it is

TRENT

You know what we have to do?

MARINA

(spoken very softly, against him, she almost exhales at the word and the feeling of relief as she says)

No

TRENT

Try and love

MARINA

What if that’s not possible?

TRENT

It is.  Put your head on my shoulder

MARINA

You’re so warm

TRENT

Am I?

MARINA

Strong.  You feel so strong.  Stronger than me.

TRENT

Maybe

MARINA

What did you do after Janine?

TRENT

Rambled

TRENT

(pauses for some time, softly says)

What did you do after Evan?

MARINA

Folded up

TRENT

You don’t seem folded to me

MARINA

I don’t?

TRENT

No

MARINA

Our grandparents, they lived in such a different time

TRENT

1929

MARINA

All those years they were together

TRENT

Yes, mine too

MARINA

They knew about love

TRENT

(nods, slowly, pressing her more tightly)

They did.  I’ve made so many mistakes

MARINA

I feel like that too at times.  Maybe it’s this era we have lived

TRENT

Shhhhhhhhh

MARINA

That feels good Trent.  Having your arms around me.

TRENT

Good

MARINA

You’re warm.  It’s like you are solid

TRENT

(rubs his stomach)

I’m solid, as solid as can be.  Feel

MARINA

You big silly.  I wasn’t expecting a washboard

TRENT

Yes you were

MARINA

No, I wasn’t

TRENT

Let me hold you?

MARINA

What do you mean?

TRENT

It’s been years since I’ve touched anyone

MARINA

Trent?

TRENT

It would feel good Marina

MARINA

I haven’t since Evan

TRENT

Janine cut me off at the end

MARINA

She did?

TRENT

The last ten years.  It’s been so long

MARINA

I can barely remember Evan, Trent.  I never thought I could go fifteen years without sex, you know?

TRENT

Me neither

MARINA

How did we do it?

TRENT

I don’t know.  Love’s a funny thing

MARINA

After marriage?

TRENT

Yeah.  Let me put that song back on.

MARINA

Okay

END SCENE FADE TO BLACK

Next scene will be Balcony Scene (edited from Original to be more PG)

Next scene will have them reading EE to each other – the fave poems.

On METHOD ACTING – handy tuck in. https://www.youtube.com/watch?v=5_MhhxXSGmo

On Method and Realism https://www.youtube.com/watch?v=tE0prIjgmMY

 

 

 

 

 

 

 

 

 

 

 

 

MARINA

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Yes

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Vanilla Suede SBWC 2019 – learning blocking – scene writing

So now I am going to try and break the short story into blocking it out.  Watching this and other vids today.

I am looking at this, and will try and use WP to do it, then get printed.  I don’t have a way to “create” this style of formatting, what a drag, oh well.  Consider me a rank beginner, but I am doing this for Walter and all I can think of is the way he taught me to move time using Lawrence of Arabia and the match scene.  I have the dialogue, so now it is a matter of fleshing out what that looks like as a temporal art form.  I am so excited about this omg.  Becoming a playwright before your and my very eyes.  It’s like a long forgotten dream.

So, looking at this for style: https://ptfaculty.gordonstate.edu/lking/CPF_play_formatting2.pdf

VANILLA SUEDE

a play by Adrienne D. Wilson

(based on her short story Vanilla Suede first published at ERWA 2013 as Valentine Bonnaire)

copywright SBWC 2019

MUSIC

 

 

 

 

CAST OF CHARACTERS

THE MOURNERS                       an assorted group of people at a funeral

TRENT                                          a man in his 50’s

MARINA                                       a woman in her 50’s

CORE THEME:  Love conquers all, even death

pink rose.jpg

For Walter Dallenbach who taught us screenwriting, using the Match Scene in Lawrence of Arabia.

 

 

 

 

 

 

 

 

SCENE

A temporal space on a black stage

An apartment

TIME

The present

STYLE OF ACTING FOR VANILLA SUEDE = METHOD ACTING

 

 

 

The LIGHTING in this play is EVERYTHING, because the settings are STARK and MINIMALISTIC.  The play will be shown by the movements of the actors with ACTION and the SHOWING OF EMOTION via THE BODY ACTIONS, so this is VERY DRAMATIC LOOKING.

So, REALISM.

I will try to write it showing the sorts of actions, except I know that the ACTORS themselves will KNOW the parts of TRENT and MARINA and can access these feeling states through the body.  I will do my best to write the bodily actions today.

VANILLA SUEDE

SCENE ONE, ACT ONE

SETTING:    We are at a funeral attended by several mourners.  They are all friends who have known the deceased.  The stage is PITCH DARK BLACK.   These are the MOURNERS and all of them form a circle around a capstone laid flat on the floor.  ONE WHITE CANDLE sits near the capstone on the grave.  Each MOURNER carries a FLOWER to represent taking flowers to a grave.  EACH MOURNER PRESENTS THE EMOTION OF SADNESS IN DEAD SILENCE almost as a PANTOMIME.

AT RISE:  We see the lights slowly come on to illuminate a group of people.  In silence and slowly one by one while doing a pantomime style set of grief actions similar to Marcel Marceau audience watches them each in turn place a flower near the candle.  They will show grief as EXPRESSION on faces and BODY.  At the LAST MOURNER we hear the words, “TAKEN TOO SOON.”  THE MOURNERS HAVE WALKED SLOWLY UPSTAGE INTO COMPLETE DARKNESS TO EXIT IN TURN STAGE RIGHT AND LEFT.  Characters TRENT and Marina are the only two left on stage.  The LIGHTS move to their faces and TRENT is the first to speak, after a long audible sigh.

(I can use psychodrama techniques to help teach this) – GESTALT via Modern Dance)

(note- use circular space to pull emotions from mourners as dance/experiential)

TRENT

(letting out long and deep sad sigh)

Sometimes you just need to be held.

(he looks at MARINA, as he says this – lights illuminate their faces only)

MARINA

(looking sadly up at him)

What do you mean?

TRENT

It helps, especially when life throws you curve balls

MARINA

Maybe you’re right

TRENT

I am

MARINA

What about the ghosts of the past

(she moves away from him, looks off into space as if she is remembering all the ghosts of people and her marriage, that ended very sadly)

TRENT

Forget ’em

MARINA

What if I can’t?

(she looks back at him across a great void on the black dark stage, light illuminates her expression, which is of a lost thing)

TRENT

You have to

MARINA

I can’t

TRENT

You have to

(he looks off into distance, across the great black void of space and we see him turn back to face her)

TRENT

Going to that Halloween Party tomorrow?

MARINA

I might

TRENT

Let’s go together

(he puts his arm around her, as a friend would, after the sadness of the funeral – not romantically, as a friend.  They begin to walk a little, lights are on the two of them, as full bodies now)

TRENT

What are you going to wear?

MARINA

I thought I might go like the 1920’s. I saw some shoes.

(says this wistfully)

TRENT

What kind?

(he perks up out of sadness, gives a little smile at her)

MARINA

Vanilla suede with a tiny strap,.  My grandmother would have worn shoes like that, while the moon shimmered off the surface of the lake.  My grandfather would have taken her in his arms.

TRENT

A different time I guess

MARINA

It was

TRENT

People fell in love

MARINA

I guess they did

 

END SCENE – STAGE FADES TO DARKNESS AGAIN

Scene two will take place at TRENT’S APT.

This will be DANCE SCENE and this is not Tennessee William’s Glass Menagerie by a long shot.

Omg I DID IT, I have figured out where to break it.

Damn!!!!!!!!!!!!!!!!